过去的完美

茨威格所怀念的是私人记忆中欧洲的「****」，带着**、带着忧伤，而《完美的过去》则似乎走向了另一个兼具公共性的侧面：历史的眼光或是一点出乎意料的幽默感，都足以为此前影像中已然拥有的方**增色。如此看来《超现实》的惊艳绝非横空出世，Lois Patiño和Jorge Jácome将会成为今后伊比利亚半岛最闪耀的两颗***。「If the "past" is so "perfect," then that should by no means be the place we want to start from. Perfection is a matter of conservation. Why should we give up all evolutionary potential and self-conscious progress in the name of god (or anyone else)?」

7.0 可能也就结尾的恐龙模型有点价值，其他的不就低配版戈达尔吗

雅科梅的“探索”，从过去到现在，也许还通向未来，骷髅是时间的痕迹。

过去总是更完美、更完美，过去完美无暇。（回望导演的前作感受到了同样的底色）过去总是泛着彩虹般温暖的光芒，有着梦境的质感，但**是否也是一种政治工具？（转为质疑）如果连过去也只是一种虚假的完美，现在的时间和现在的自己还有什么可以凭借的吗？Saudades Tristesse Sehnsucha...

+"it's hard to translate"语言以字幕而非声音的形式出现，强迫这种观看，实际上也是文字与影像转录的不充分，正是这两种介质的契合这使得一种迷思更丰满，读、视和听，思绪也随之散漫在"完美的过去"

年底回顾，对着预告片和剧照考古。

Jorge Jácome "Many cities or countries have a distinct malaise. They are places that could be Portugal, so sunk in a painful longing of the past, and where each tension of the present is only the tip of an iceberg that is explained in successive retreats that can go straight until origin of the species, at least. This feeling common to many latitudes is often presented as a diagnosis, a denial of a painful present as opposed to the desire to return to a glorious past

Uppsala短片电影节竞赛单元第一天，无尽的**，太意识流了 看困了。。。

- NDNF short program2中最喜欢的意识流film，像诗一样的narrative language，**，怅然，忧郁，微醺。 - Adding depth to melancholy and nostalgic. - Past is better, much better. - 我看过人们在**的阳光下开cry *****，挖不倒金子只有累累白骨，战争带来的是无情和悲悯，都过去了，都在过去。思绪像被扭曲的磁带磁条，顺着溪流断断续续地往未来游走。

#HKIFF 双关的片名。散文电影。对过去的乡愁／saudade／呼愁 huzn……