康斯太勃尔：乡土叛逆者

无论生前生后这位都是在**更受追捧，可能**人看多了**人物画，觉得风景画很创新吧，这**画风也启发了后来的巴比松画派

在三菱一号看了他的展，也是初次接触Constable。很多风景画的纵深感都特别明显，很立体，像置身自然之中。光影变幻真实浪漫又富诗意，据说画家本人为画画还学习了气象学。

In one of the lectures that Constable delivered towards the end of his life,organised by his friend from Brighton, Michael Faraday,he said,"Painting is a science and should be pursued as an enquiry into the laws of nature.Why,then,may not the landscape be considered as a branch of natural philosophy,of which pictures are but experiments？"

《干草车》那段出现的拼图小道具我很喜欢，好几幕康斯太勃尔的画和自然风景的切换也是赏心悦目的，特别喜欢索尔兹伯里大教堂那段，小哥坐在草地上谈画的镜头好帅呀。以前简略刻板的印象里透纳的自然景观是澎湃狂乱的、康斯太勃尔是日常淳朴的(就看过几张代表作)，但是看布莱顿链条码头这个同题创作，觉得之前的判断太过片面，Alastair的纪录片总是能给我带来新的东西。

纪录片拍得美如画，Constable的画美如诗

It's the business of the painter not to contend with nature, but to make something out of nothing, in attempting which, he must almost of necessity become poetical.By Constable

和透纳有如此之多的相似之处，难怪总是将两个人放在一起讲。康传统而**的个性态度，导致了他的画作细致而略显拘谨，真是画如其人。

我居然没有标记！！英国的风景挺深沉的。。

Good（country rebel该翻译成乡土变节者吧？