药头

The Connection

主演： Jackie Mclean Freddie Redd
导演：雪莉·克拉克
类型：剧情: 地区：美国; 年份：1961; 语言：英语

介绍：欢迎在线观看由 Jackie Mclean Freddie Redd 等主演的剧情片《药头》，影视集合第一时间为你提供《药头》，如果你喜欢《药头》请把它分享给的朋友，有您们的支持我们会做的更好。祝你观片愉快！剧情简介: THE CONNECTION is one of the most vital, fascinating films of the American independent world. Created by a woman director, Shirley Clarke, at a time when they were in very short supply, the film shattered stereotypes in just about every conceivable way. And yet, the film remained unseen for many years.　　The Connection was a play within a play within a jazz concert. It portrayed ... 看最新电影上影视集合影院(www.ysjihe2.com)

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THE CONNECTION is one of the most vital, fascinating films of the American independent world. Created by a woman director, Shirley Clarke, at a time when they were in very short supply, the film shattered stereotypes in just about every conceivable way. And yet, the film remained unseen for many years.　　The Connection was a play within a play within a jazz concert. It portrayed ...

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白昼白 2023-12-05

清醒观影时间不超过20%，一个明确的室内剧，舞台剧改编，还有美妙的爵士乐，这不就是最佳睡觉公式嘛！有机会补。

SaynomorE 2022-09-14

很有意思。摄影师和导演的角色我倾向于是电影改编的原创，才会想到这样去探讨“镜头”意味着什么

Aislinn 2022-07-23

有趣的角色和很多搞笑的对白使这部影片成为了我心中最棒的室内电影之一

蛾 2022-05-18

比起伪纪录片更是舞台剧唯一让人觉得差一点的地方可能是演员欠缺力度吧

mecca 2021-10-27

All that jazz: elaborately written play, shooting, acting, and oc, music(could go further tho). One of the first mocumentaries. Adapted from theatre play yet camera movements & acting are live & natural enough to break chains of three unities. (compared with 群魔, another indoor piece of group play). Shirley Clarke was too ahead her time to get recognized, alas today it looks not as refreshing as it meant 2b.

厶μ罒 2020-02-13

话剧就不要硬搬上银幕，被台词和音乐的密度恶心到了。不停卖弄伪纪录片的形式真的很让人出戏，尤其是演得这么尴尬的情况下。

涵子看荼蘼 2019-04-24

Jazz. Existentialism. Film and reality. But what’s with the ending? Some anti-drug propaganda for passing the censorship?

麻友安 2019-02-08

一屋子的junkie等待**到来，一个导演带着摄影师记录下这一切，最后导演本**成了瘾君子。 Shirley Clarke的第一部长片，从Jack Gelber的舞台剧改编过来，原作本身就是一场戏中戏独幕剧，搬演到大银幕之后这层拍摄者被摄者的关系变得更复杂值得玩味，确实是一个cinema vérité的绝佳文本。舞台剧观众看到的是台上呈现出来的完整的“片场”景象，而电影观众则是从戏中摄影师的镜头中看到受限的局部，Shirley Clarke利用摄影机的摇移运动、黑屏遮挡向观众提示其隐形的在场，正如戏中导演对junkie们说“一旦被拍摄下来，手就不再是手了”，影像成了特定观察者的“真实”，而演员松弛自然的表演再现了日常的真实。**电影评论协会促成了片子在戛纳的首映，直接启发戛纳第二年开始办**影评人周单元，不过在美国本土上映时遭遇**问题，一波三折。